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 East Affaie Balkanjazz Weltmusik  Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-gitarre          

Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Éastaffair Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git
Weltmusik/Balkan-Jazz
Sonntag 30.10.2016 20.30 uhr
Jura Wajda-Zimbalon
Mirek Pyschny-Cajon
Fedor Ruskuc-b
Kim Efert-git

East Affair: Das ist osteuropäi-sche Tempo-Weltmusik und westlicher Geschwindigkeits-Jazz auf höchstem Niveau. Da geht aber so was von die Post ab. Kim Efert
werden einige kennen als einen der genialen Gitarristen, der mit Anna Mateur vor 2 Jahren hier zu begeistern wußte. Das Quartett trifft mit seinem Stilmix regelmäßig auf ein restlos begeistertes
Publikum. Zum 1. Mal gibt es auch ein Zimbalon im Schauspiel-Haus zu hören. Und der Tscheche Jura Wajda ist ein Meister des Zimbalon  The term "zimbalon" refers to a musical instrument, specifically a variant of the cimbalom or hammered dulcimer. Here's a detailed breakdown:

Definition & Etymology
Meaning: A stringed percussion instrument played with mallets, belonging to the dulcimer family. It's characterized by a trapezoidal wooden box with metal strings stretched over it 12.

Origin: The word derives from:

Latin cymbalum (cymbal) 8.

Hungarian cimbalom and Polish cymbały 8.

Features & Usage
Construction: Typically has 100+ strings, tuned chromatically, and is played by striking the strings with padded mallets 4.

Cultural Significance:

Central to Romani, Hungarian, and Eastern European folk music 4.

Used in classical compositions (e.g., Igor Stravinsky’s works) 4.

Variants & Related Terms
Italian: Zimbalon is an alternative spelling for salterio (hammered dulcimer) 4.

German: Zimbal refers to the same instrument 8.

Notable Mentions
The instrument appears in literature and musicology, often highlighting its unique metallic, resonant sound 48.

For more on its musical role, see cimbalom history or hammered dulcimer traditions.

Note: Avoid confusion with Zimbal Mink (a fur company) 711 or Zimbal Instruments (surgical tools)
 Zimbalon zimbalon (more commonly spelled cimbalom) is a large, trapezoidal hammered dulcimer used primarily in Eastern European folk music, especially in countries like Hungary, Romania, and Slovakia.

Key Facts about the Cimbalom (Zimbalon):
Instrument Type: Stringed percussion (idiophone).

Played with: Two lightweight mallets or hammers.

Sound: Bright, resonant, and percussive — capable of both melodic and harmonic playing.

Origins:
Descended from ancient hammered dulcimers.

The modern concert cimbalom was developed in the 19th century by József Schunda in Hungary.

Widely used in:

Gypsy (Romani) music

Hungarian and Romanian folk ensembles

Classical compositions by Bartók, Kodály, and Stravinsky.
 Characteristics:
Range: Over four octaves.

Pedals: Some concert cimbaloms have dampening pedals, similar to a piano.

Construction: Typically has metal strings stretched across a wooden frame.

The strings are arranged in groups (courses) and tuned to specific pitches.
Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git Jura Wajda-Zimbalon; Mirek Pyschny-Cajon; Fedor Ruskuc-b; Kim Efert-git

 

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